“ The opposite point seems more a tongue of land
you’d touch with a good bowshot, at the narrow.
A great wild fig, a shaggy mass of leaves,
grows on it, and Charybdis lurks below
to swallow down the dark sea tide. Three times
from dawn to dusk she spews it up
and sucks it down again three times, a whirling
maelstrom; if you come upon her then
the god who makes the earth tremble could not save you.”
(Odyssey, 212; 119-127)
With new (under)currents re-mixing the waters of the Severn Estuary, Somerset Levels, Shannon Estuary and the Wadden Sea, these are some muddy notes freshly dredged up and now drying off in the sun...
A recent invitation to present some installation works at the 2015 Lydney Harbour Festival provided an opportune point at which to draw to a close the first phase of the Sabrina Dreaming creative residency project, funded by the Leverhulme Trust.
Freshly returned from a repeat visit to the waters and islands of the Waddensee (Netherlands); there for a presentation of work-in-progress for my Sabrina Dreaming artist residency and the wider context of the Submerged (Drowned Lands) project. In the manner of previous blog-postings, I'm kicking off this report with trio of ship's names...
