With new (under)currents re-mixing the waters of the Severn Estuary, Somerset Levels, Shannon Estuary and the Wadden Sea, these are some muddy notes freshly dredged up and now drying off in the sun...
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| Shamal |
A mini-theme that seems to be emerging during my early coastal residency explorations is that of boat names. The third vessel to be now added to this roll-call is the Shamal (a wind that blows across Persia, it seems):
"shamal, hot and dry, dusty wind from the north or northwest in Iraq, Iran, and the Arabian Peninsula. In June and July it blows almost continuously, but usually under 50 km (about 30 miles) per hour. The wind causes great dust storms, especially in July, when Baghdad may experience five or more such storms."...
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| Tanja |
My early fossicking (and noodling) activities related to this Gloucester-based residency have lured me further upstream, away from my more familiar haunts near Avonmouth and to the south along the Severn Estuary. The coastal landscape here has a very different quality. There is a strangeness, compounded no doubt by the presence of the looming bulks of the two nuclear power stations, within view of each other (Oldbury and Berkeley). But here too is an extensive remnant coastal salt-marsh zone, and the gradual transition from estuary to river waterscape. The opposite bank is now close enough to easily make out individual buildings, vehicles, even people. There are remains of jetties scattered on both sides, marking the once busy river-crossing points...
Some of the following is re-published from antonylyons.blogspot.co.uk
Some context for Sabrina Dreaming:
Undeniably - in the case of England - the predominant theme, to date, in 2014 has been water/flooding/storms. There are strong indications that climate instability is ushering in periods of global extreme weather, with potentially very significant social and landscape implications...
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| Matilda |
A Creative 'Slow Residency'
Beginning in Spring 2014, Sabrina Dreaming (Severn Estuary Tidelands) sets out to creatively reimagine this estuary coastline and floodplain, through an interweaving of the scientific (landscape study, pollution, flooding etc); the
social/cultural (working lives, folklore, built heritage etc); and the imaginative (stories, myths, poetry, inspirations etc). The terms geopoetic and deep mapping can be useful in describing this kind of remixed, hybrid exploration of a place.
In this year-long experimental project, the surreal and unsettling qualities of a dream will come into play, anchored in the real, physical, sensuous experience of
these tidelands and tidewaters (including entanglements with other tidal coasts around the world)...